This Drifting Excrement Was Far Too Meaningful! These Are the TV Letdowns of the Past Year.

As we reflect on the television landscape of the recent year, a handful of shows stand out not for their brilliance, but for their spectacular failures. Ranging from cringe-inducing sequels to confusingly poor docuseries, here are the productions that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate follow-up? Burdened with dreadful writing, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the final season began, it looked like it had at last found its groove. Then arrived an episode centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the final season. It ended on a low point; the lingering shot of Miranda’s toilet flooded with poo was simply too on-the-nose. Still, fans certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who couldn't release a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this drama's issues. The recipient of a very rare zero star review, it was hard to know where to begin enumerating the problems. The laughably wooden writing? The tedious glorification of affluence and materialism? The seemingly wilful parade of tropes? Acting so bad they felt almost malicious? Let’s just say “each and every one” and forget about this series again. However, a new season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse claims and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d truly have known it from this multi-part documentary which chuckled along at Sheen’s various episodes of reckless hedonism while failing to tell us anything we didn’t already know. Instead, it felt as if this volatile personality was being indulged, so any sympathy this show might evoke should be reserved for the people who have had to endure close contact with this charming but flippant narcissist.

The Supercomputer Drama

Naturally we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Shady characters convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing dialects. But there were plenty of other issues. Primarily that it was just profoundly dull; a conflict over drug-selling territory between various cockney rogues which felt a bit basic.

The Meghan Markle Series

Given the degree to which she provokes the ire of the nation’s ostentatiously angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various ventures into twee lifestyle as intentional statements. But then you view them and are forced to admit that in this case, they might have a point. It’s like watching a lifestyle magazine come to life; a meme for evening drinks with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental sayings and pointless crafting “tips” you’ll forget instantly. All underpinned by vast, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about regarding Victoria Beckham and her journey with career, identity, self-worth. But for some reason, this documentary series opted not to say them. Instead, the viewing was like consuming a sales brochure. She clearly has good reason to bridle at what she describes as her “stern” image. But unfortunately, she didn’t do herself any helps with this guarded non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her estate. What more could you want? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The series ended up reeking of a production that was trying way too hard to live up to something far greater than it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The expectation was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a single joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could ruin society? No! This globe-trotting thriller about government agencies targeting – and killing off – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality notorious for explicit escapades as she prepared for her most extreme challenge yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to haul her son away from the queue. What we got was horrific imagery and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Stephanie Miller
Stephanie Miller

A seasoned gaming analyst with over a decade of experience in online casinos, specializing in slot game mechanics and player strategies.